![]() This seems suited for quick, on-the-go edits, rather than a more detailed approach that still is better on the Mac. You’ll have a nice selection of color grading presets that can help give some character to your edit, which you can adjust with sliders as to their intensity. You can make various adjustments via sliders, and adjust the usual suspects like exposure. The color adjustments you can do are basic and certainly won’t take advantage of what many raw and log footage cameras are capable of. On the iPad, you’re limited to the luts available on Final Cut Pro without the ability to add your own. If you’re recording on a camera with raw or log capabilities, you’ll definitely want to do color grading on a Mac. The color grading workflow can be minimalistic if you’re recording on a mobile device or using baked-in camera colors. Tools such as color grading offer simple functions and don’t have the capabilities that the Mac version offers. Then it can easily be popped into Final Cut Pro for Mac for doing fine edits and finish the project.įinal Cut Pro for iPad is limited in features compared to the Mac version. In general, when making a video, it’s easy to sit back and do the initial rough edit on the iPad Pro– obvious edits, cut out silences, and organize the project. If you don’t have a physical keyboard connected, typing can be a chore with the on-screen keyboard. When moving certain objects on the screen or even basic file movements, mouse input is preferable. Still, there are things you can do on iPad Pro which aren’t as easy on a laptop pinch to zoom and fast finger swipes are more intuitive on a touch screen versus a touchpad.Ī touch interface does have drawbacks. You can also connect a keyboard to iPad Pro, but then you are close to laptop territory. Apple calls this “Live drawing,” which can be done with either touch or the Apple Pencil. You also have the ability to draw on your project and animate it. ![]() For certain edits and adjustments, the Apple Pencil can be the best tool for the job. The Apple Pencil can also be useful, though, for precise movements, it’s clunky compared to a mouse. The Jog Wheel is an intuitive part of Final Cut Pro for iPad’s user interface. After using the Jog Wheel for a few weeks, I found it intuitive and tons of fun–I even missed it on the Mac at times. The Jog Wheel helps to add more accuracy to movements and editing, which can sometimes feel sloppy with touch. With a swipe of your finger, you can quickly edit after accustoming yourself to the movements. The touch screen on the iPad Pro is impressive, and it certainly can augment the editing experience in a unique way. A desktop Mac (or even a MacBook) can often tie a user to a more fixed position due to its ergonomics. This just adds more flexibility to a creator’s environment, be it on a desk chair or a bus seat. Also, the iPad affords us a certain comfort level–you can sit back, lay down, or even sit on your side. While laptops are highly portable, the iPad takes it one step further: it’s even easier to carry around and has touch input. (Or record on the more portable iPhone, and easily transfer over to edit on the larger iPad Pro) Even so, an “all-in-one” ecosystem of shoot, edit, and export is possible with an iPad. This certainly speeds up the workflow considerably since you’re not importing footage from a camera, skipping the middleman entirely.Įntire movies have been made on the iPhone, but the iPad is certainly not the first tool most creators would spring for, mainly due to its larger size. It also gives you more manual adjustments, such as exposure and frame rates. Or you may be enticed to use both.Īpple even offers a camera mode within Final Cut Pro for iPad, where you can directly record footage from within the app. Here are some basic differences that may keep you from wanting to replace your Mac’s Final Cut Pro. However, there are some deeper differences to be aware of. It has a similar visual interface with a magnetic timeline, which will feel familiar. Let’s dive into real-world scenarios and how to take advantage of the Final Cut Pro for iPad and where it is lacking compared to the Mac version. Final Cut Pro on iPad or Mac: Basic differences Older iPads with A-series chips are not compatible, but even with that requirement, editing with Final Cut Pro is more accessible than ever across more devices. ![]() The caveat is that Final Cut Pro needs at least an M1 iPad Pro to work. The question then becomes one of usability and practicality and not performance. If an Apple silicon Mac can run those apps, why not an M1 tablet? This opened the way for Final Cut Pro and Logic Pro to make their way on the iPad. When the iPad Pro received the fast M1 chip, what was missing was the software to take advantage of its performance. There wasn’t much expectation about a tablet doing heavy-lifting work–the resource-hungry software mainly stayed on laptops and desktops.
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